Artworks
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Clockwork IIIThe third clockwork is movement. There is a field covered by clocks. Their clockhands move contiounusly following a set of rules. The rules are based on time and the position of a spectator driven spot. software, Windows executable |
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Dark geo II.Dark geo was produced by placing drawings on the rhombuses of the Penrose tiling. As the drawings meet where the sides of the rhombuses do, a labyrinth is created, or at least a network. There are two kinds of drawings on the rhombuses; one can be seen by natural light, the other by ultraviolet light. installation, ink jet print, back light plastic, red and ultraviolet light |
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Dark geoDark geo was produced by placing drawings on the rhombuses of the Penrose tiling. As the drawings meet where the sides of the rhombuses do, a labyrinth is created, or at least a network. There are two kinds of drawings on the rhombuses; one can be seen by natural light, the other by ultraviolet light. installation, offset prints, black, red and ultraviolet paint |
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IFS-drawingsThese drawings seems to be the result of a deep meditation of a sensitive, but virtuoso drawer. They fit into the scratch-book of a nature-believer, but abstarct painter's (like Agnes Hincz). software, 100 70 x 100 cm sized digital inkjet prints |
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Perfect CityI wanted to walk at the streets of the Ideal City. I wanted to know, how it is look like from lower view what looked so perfect from top view on the map. installation, white industrial paint, factory building |
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100 drawingsThe 100 drawing is a 100 piece series of 100 x 70 cm drawings, maybe print is better word. Citation from Gábor Andrási: "... these are not drawings." software, 100 70 x 100 cm sized digital inkjet prints |
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Recursive artworkI placed two light sources onto the ground of the cellar. I put a stick into a hole in the wall. The stick had two shadows. I made new holes at the end of the shadows, and put two sticks in them. The two new sticks have two shadows. I put four new sticks to the end of the four shadows... and so on. installation, lights, wood sticks |
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Clockwork I.The clock is the only human machine, which does not manipulate the nature. It shows the time, does not make or destroy it. installation, offset prints, black contact folie, pins |
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Clockwork II.All of them is a 'memento mori', like the sun-clock of the Benedictiner Monastery of Pannonhalma. Its text: 'One of these hours will be your last one'. black and white photographs |
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Slow artworkIn the back of the clocks the keys rotate counterclockwise, but at the same speed as the clock hands. The rotating keys move the clocks on the ground. installation, 25 mechanic alarm clocks |
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Penrose-wallpaperI wanted disguise the artwork-context, that's why is it a wallpaper. The image covers the wall, not hangs on it in frame. installation, offset prints |
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Penrose-parquet I.Sometimes hundred shapes fit well, but the next does not, because of a wrong decision was taken fifty shapes before. installation, wood |
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Penrose-parquet II.This method gives the negative of a tiling. This second tiling is very different from the original. It is constructed from 75 kind of shapes, some of them is so rare, that there is none of them in the installation. installation, wood, acrylic paint |
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PlasterworkThe Ideal City is also a geometrical representation of the Ideal Society. installation, plaster, white acrylic paint |
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Penrose-rainI put wave-sources (transmitters) to the half-section of the shapes' sides. I accounted the wave-interference for a water-like liquid. installation, offset prints |
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StepLike a hourglass: Clear, that every grain of sand goes to the lower pot, but there is quite hard to know, in which order. etching |
